Ki Tissa: Fighting or Singing?

After God’s revelation to the Israelites at Mount Sinai, the people repeatedly promise to do everything God says. Then Moses and Aaron lead the elders halfway up the mountain, where they have a vision of God’s feet. (See my earlier post, Mishpatim: After the Vision, Eat Something.)

This is their high point. After this, Aaron and the Israelite leaders go downhill, both literally and figuratively. Joshua, Moses’ attendant and war-leader, stays partway up the mountain. And Moses climbs to the summit again. There he disappears into God’s cloud—or fire, from the point of view of the Israelites below. (See my earlier post, Mishpatim: Seeing the Cloud.)

Inside the cloud, Moses listens to God’s instructions for 40 days . Meanwhile, the Israelites below conclude that their prophet has died in the fire on the mountaintop and will never return. And without Moses, how can their god lead them to their promised land?

They fall back on an old and familiar solution in this week’s portion, Ki Tissa (“When you bring up”): a physical image or idol for the god to inhabit. They give Aaron their gold earrings, and get him to mold an image in the shape of a calf. On his own initiative, Aaron builds an altar and declares a festival for God the next day.

The same day that the Israelites bring animal offerings to the new altar, God hands Moses the two stone tablets written by the finger of God (Exodus/Shemot 31:18), tells him to go down the mountain, and then tells him what the Israelites have done.

Quickly they deserted the path that I commanded them! They made for themselves a cast image of a calf, and they bowed down to it and they slaughtered offerings to it, and they said: These are your gods, Israel, that brought you from the land of Egypt. (Exodus 32:8)

God offers to consume the Israelites and make Moses into a great nation instead. But Moses refuses the offer and tramps down the slope, still holding the two stone tablets on which God wrote, among other things, the commandment against making idols.

Joshua joins his mentor partway down. He has spent 40 days waiting on the mountainside, unaware of what was happening either to Moses at the top or to the Israelites at the bottom.

Then Joshua heard the sound of the people as they shouted, and he said to Moses: The sound of battle is in the camp! (Exodus 32:17)

Moses does not reply. Joshua listens carefully as they continue to descend.

And he said: Not the sound of anot of prevailing, and not the sound of anot of defeat. A sound of annot I am hearing. (Exodus 32:18)

anot (עֲנוֹת) = responding, answering; humiliating, abusing; call-and-response singing (such as kirtan or antiphony).

annot (עַנּוֹת) = (This form of the verb anot is used most often for humiliation, but it is also used in at least one other place, Isaiah 27:2, for singing.)

If there were indeed a battle in camp, Joshua would hear the winners raising their voices in war-cries, abuse, or battle-songs. He would also hear the losers raising their voices in pain, fear, or grief. Because he does not hear these sounds, he concludes that there is no battle. The camp has not been attacked by strangers. Nor has it divided into two sides fighting each other. Whatever the people are doing, nobody in the camp is objecting to it.

What sound does Joshua decide he is hearing? Here are two possible translations:

“A sound of humiliation I am hearing.” In other words, he is hearing the sound of people who have abandoned reason and conscience. Maybe sexual excess has turned into rape. Or maybe the people’s wild party is humiliating for Joshua and Moses, the only two Israelites left to stand against the worship of the Golden Calf.

“A sound of call-and-response singing I am hearing.” In other words, he is hearing a joyful celebration. Elsewhere in the Bible, people use call-and-response singing, along with dancing, to rejoice over God’s success (as Miriam does after they cross the Reed Sea), and to rejoice over David’s victories in battle.

I can imagine Joshua realizing that something happened in the camp, while Moses was gone, and now the Israelites are either holding an orgy, or singing and dancing to rejoice over—what?

The Torah returns to Moses’ point of view.

And it happened as he drew near to the camp, he saw the calf and dancing. Then Moses’ anger flared up, and he threw down from his hand the tablets, and he shattered them under the mountain. (Exodus 32:19)

Moses already knows about the Calf, so why does his anger flare up now? One frequent answer by commentators is that now he sees the people dancing. If the Israelites were worshiping the Calf in a state of doubt and anxiety, they might reject their idol as soon as they saw Moses. Instead, they are rejoicing over the Golden Calf, as if they like the old-time religion better than following Moses’ lead.

It takes the shock of the shattering tablets to yank them back into their former state of mind, when they promised to obey the god of Moses.

Joshua already knows the Israelites are singing. He can assume they are also dancing; elsewhere in the Bible call-and-response singing is usually accompanied by dancing. Now Joshua sees the Golden Calf and the smoking altar in front of it, so he knows the reason for the people’s ecstasy. He also hears the sound of stone shattering. The singing stops.

Moses grinds the Calf into gold dust, adds it to water, and makes the people drink it. He questions Aaron briefly, then stands at the gateway of the camp and shouts: Whoever is for God, to me! (Exodus 32:26)

All the men from the tribe of Levi go over to the side of Moses and Joshua. Moses orders the Levite men, in the name of God, to take their swords and go through the camp from gate to gate.  The Levites kill 3,000 Israelite men. The Torah reports no casualties on the Levite side; apparently the Calf worshippers were too cowed or ashamed to fight back.

So Joshua finally does hear the battle cries of the winners, and the screams of pain and humiliation of the losers. There is no more singing of any kind in the Torah until the book of Numbers/Bemidbar.

I have always wondered if killing 3,000 Calf-worshippers was overkill. After all, everyone was shocked when Moses shattered the tablets God gave him. Everyone drank the gold dust from the Calf. What if Moses’ next move had been to start up a song, instead of a massacre?

What if he had changed the words of the call-and-response song the people were singing for the Calf? Their song is not recorded, but here are two other call-and-response songs in the Torah:

Sing to God because He is the highest;

Horse and its rider He threw into the sea! (Exodus 15:21)

Saul struck down his platoons;

And David struck down his armies! (I Samuel 21:12)

Some people need the outlet of ecstatic song and dance. Maybe another call-and-response song would have turned the hearts of the apostate ecstatics toward the God of Moses. Here is my proposal for the people who rejoiced in the Golden Calf:

“Sing to God because He is the highest;

Higher than idols and higher than gold.”

Just set it to a catchy melody, and let Miriam lead the dancing.